Harrow the Ninth (The Locked Tomb #2) by Tamsyn Muir

Pages: 510

Genre: fantasy, sci-fi, queer characters

Synopsis

She answered the Emperor’s call. She arrived with her arts, her wits, and her only friend. In victory, her world has turned to ash.

After rocking the cosmos with her deathly debut, Tamsyn Muir continues the story of the penumbral Ninth House in Harrow the Ninth, a mind-twisting puzzle box of mystery, murder, magic, and mayhem. Nothing is as it seems in the halls of the Emperor, and the fate of the galaxy rests on one woman’s shoulders.

Harrowhark Nonagesimus, last necromancer of the Ninth House, has been drafted by her Emperor to fight an unwinnable war. Side-by-side with a detested rival, Harrow must perfect her skills and become an angel of undeath — but her health is failing, her sword makes her nauseous, and even her mind is threatening to betray her.

Sealed in the gothic gloom of the Emperor’s Mithraeum with three unfriendly teachers, hunted by the mad ghost of a murdered planet, Harrow must confront two unwelcome questions: is somebody trying to kill her? And if they succeeded, would the universe be better off?

My thoughts

Rating out of five: two stars

This might be the first book in a series where I missed a bit of repetition about the world-building and where the first book left off. Because it’s a complete shift in writing style and vibe of the plot. To the point where I was both googling and reaching out to friends about whether this book was worth continuing to read. And while they thought so, because «it would be explained eventually», I would rather have stopped when I look back. What interested me most about this book was why I didn’t like it, despite trying my best.

It has a second person POV for large parts of it. I started reading it on a kindle, switched to audiobook on advice from friends, but could not stand the character voices the voice actor made. (I’m sure they’re great, it’s just a personal preference.) So I finally read most of the book in physical format and at the end the narrative choices made sense. But that doesn’t mean it was worth it. Short format, either within a novel or on its own, you can experiment a lot with narrative styles. But because of the supposedly expansive sci-fi/fantasy world, with planets and gods, the plot gets kind of muddled with the narration. It’s both an unreliable narrator, a lot of characters, multiple plans the protagonist knows little about and basically an amnesia storyline (even if magically induced). When someone dies, it’s hard to care, in what is supposed to feel like a whole big mystery. It has such good ratings, but if a younger me read this book I would just go «I’m sure it’s great and I just don’t quite get it», when in reality this is a book with a great idea of how to tell a story, but a mostly bad execution.

Some parts here and there the writing really work, but then it loses focus again in the (un)balance of getting the reader information about both the expansive storyline and the character storyline so that they could be tied together. It’s the type of book that could need more than 500 pages to explain the world, but where 500 pages is way too long already for the exhaustive narrative styles. Mainly, I think it could’ve been fixed by having Harrow not be such a big protagonist as she was.

I’m kind of tempted trying the third book, Nona the Ninth, just because of the big switch from the first to second book and the small chance the next is something else again. But I definitely lost a lot of faith in the series.

Best Queer Fantasy I’ve Read the Past Year

I’ve read so few books this year and am in the middle of exam season, but I always know pride month is around the corner from the increased interest in my queer book posts. That said, there’s always this difference, if a somewhat diffuse one, between great fantasy book with some queer characters and great queer fantasy. This list has a bit of both.

City of Strife by Claudie Arseneault

This was a book I reread this year, because it’s so unique in what it manages to do as a high fantasy. All the characters are queer; bisexual, demi, pan, poly, gender fluid, agender, asexual, aromantic is all represented in an overall ruthless and amazing magical city. I might have a big weakness for main characters who take the time to observe the world around them, is a thief or assassin, but also cares deeply for their friends and features platonic love. It’s politics, merchant families, rivalry. The plot builds so naturally on the personalities and choices made by these characters and their lives intertwining by living in the same city. It has quite the list of trigger warnings though, so be careful to check those. It is quite the ruthless city, which makes the constant focus on characters interacting with each other and the reality of the place so special.

Cemetery Boys by Aiden Thomas

I really would have loved this book as a middle school kid (or even younger actually). It’s a queer romance between a Latino trans boy and a gay boy, featuring murder mystery and ghosts. It’s fast-paced, funny, cute and dramatic, with a somewhat predictable plot which is why I don’t really think it fits into the older end of YA as it was marketed as.

Gideon the Ninth by Tamsyn Muir

The tagline for this book seems to be lesbian necromancers in space, which would be correct. It’s very much a love it or hate it type of book, because you’re thrown into the plot and have to start paddling to keep up with the characters. It does a great job turning into an unusual fantasy book even though it’s set in a fairly usual setting of deadly competition. The writing and character personalities are fantastic, as well as the well-hidden system behind the magic – not to forget the enemies to lovers (maybe) of the main characters.

Foundryside by Robert Jackson Bennett

It’s a great fantasy book where the main character is sapphic and has a crush on a brilliant assistant she meets. It has thieves, heists, magical technology, Merchant Houses that controls the city and has created capitalist monopolies. The writing is very straight-forward for this type of book, and makes it very accessible and an easy read despite being high-fantasy and having great world-building.

The Traitor Baru Cormorant by Seth Dickinson

Baru’s island is taken over and controlled under an empire that believes heavily in eugenics, ruthlessly changing the society as they see fit (including forcing queer couples apart) and placing the kids in terrifying boarding schools. And Baru plays the waiting game for revenge for her family which they murdered, as the colonizers clothe her and educate her in what they see fitting. Definitely a brutal fantasy, but more so in the cultural impact and strategies than the wars of high fantasy. It’s very much debating morality of if ends justify means, as Baru gets more ruthless and morally-gray in trying to achieve revenge. It’s a book about not losing yourself and, despite being “othered”, Baru always reconnecting with where she is from, with the fact that she’s a lesbian being a big part of that.

Silver in the Wood (Greenhollow Duology #1) by Emily Tesh

I was a bit unsure about this book while reading it, but I’ve been thinking about the vibes of this book since reading it. It has this cottagecore, forest aesthetic that really has a grip on me, with stories of the Wild Man of Greenhollow and the secret-folklorist that comes upon him. It’s short (112 pages) and manages to deliver on the fairytale-ish forest, magical realism vibes in the writing, but plot-wise, character-wise, etc. it does come up short to me. The m/m relationship and yearning could’ve been better as I didn’t quite feel it delivered on its potential, but it was worth the read looking back.

Mask of Shadows by Linsey Miller

I very much feel like this is the queer & way better version of Throne of Glass with its deadly auditions to become the Queen’s new assassin. What was a pleasant surprise was how the protagonist never was very vicious in their thought-process or tried to defend their actions, their reasoning behind taking lives were very business-like and unapologetic. The protagonist Sallot is gender-fluid using she and they pronouns based on how they present. Despite having a good start-point, the fantasy built on somewhat cheesy and typical fantasy plotlines that makes it very much YA fantasy, lacing in world-building or description and it’s a bit half-finished type of book.

This book brings me to a dilemma because it personally felt similiar vibes to “Ship of Smoke and Steel” by Sjango Wexler in the protagonist’s voice. But that book handled the queer aspect a lot worse including just not writing good female characters, while having a more interesting world powered by magic. So while Miller’s book wasn’t the best fantasy book I’ve read, I would rather recommend Miller’s book than Wexler’s.

Honorary mention to the (mainly) horror podcast “The Magnus Archive” which in their last season has an asexual relationship between two guys.

Exciting New Book Releases 2022 Spring/Summer

Here’s part one of book releases I’ve been looking forward to in 2022.

Extasia by Claire Legrand

Release date: 22. February 2022

Why I want to read it: the author also wrote “Sawkill Girls” which I liked, and it’s a YA horror with a religious cult, overthrowing patriarchy and sapphic protagonists.

Time is a Mother by Ocean Vuong

Release date: 5. April 2022

Why I want to read it: Vuong’s other poetry collection was stunning and real, with big themes like grief and war, but drawing from very personal experiences

Inheritance: a visual poem by Elizabeth Acevedo

Release date: 3. May 2022

Why I want to read it: I love Acevedo’s poetry and way to tell stories already. Never know quite what to expect in terms of format, which is great.

I Kissed Shara Wheeler by Casey McQuiston

Release date: 3. May 2022

Why I want to read it: sapphic romances, especially by authors I already know can write well, are always worth a shot

Book of Night by Holly Black

Release date: 3. May 2022

Why I want to read it: a more adult, dark fantasy with thieves, secret societies, magic with consequences and murders. I don’t think I’ve ever read a bad book from Holly Black.

Siren Queen by Nghi Vo

Release date: 10. May 2022

Why I want to read it: an unusual book for me to pick up, but a lot of people seem to like this 30s Hollywood story with a Chinese American protagonist who has to navigate dark rituals and folklore in what seems to be somewhat of a fantasy book with sapphics.

The Lessons by Naomi Alderman | Book Review

Genre: contemporary fiction, lgbt; gay & bi main characters, dark academia

Pages: 288

Synopsis

Hidden away in an Oxford back street is a crumbling Georgian mansion, unknown to any but the few who possess a key to its unassuming front gate. Its owner is the mercurial, charismatic Mark Winters, whose rackety trust-fund upbringing has left him as troubled and unpredictable as he is wildly promiscuous. Mark gathers around him an impressionable group of students: glamorous Emmanuella, who always has a new boyfriend in tow; Franny and Simon, best friends and occasional lovers; musician Jess, whose calm exterior hides passionate depths. And James, already damaged by Oxford and looking for a group to belong to. For a time they live in a charmed world of learning and parties and love affairs. But university is no grounding for adult life, and when, years later, tragedy strikes they are entirely unprepared. Universal in its themes of ambition, desire and betrayal, this spellbinding novel reflects the truth that the lessons life teaches often come too late.

My thoughts

Rating out of five: four

I was almost turned away from this book because it had bad reviews, but the synopsis sounded like the dark academia type of book I was looking for. And it’s a great dark academia book, with found family, an extremely wealthy young man in the middle of it who studies theology and a morale that the people that (by what were first seen as flaws) escaped this elitist university got the better end of the deal. And, of course, the characters experiencing (well-written) tragedies in their lives. It was the comparison to “The Secret History” by Donna Tartt that made me pick it up eventually. It’s impressive how much you can start with the same type of premise, but as a writer bring an entirely different feeling to the story. I don’t adore this book as much as I did “The Secret History”, but here the cast of characters has less of a mythology around them and more real and recognizable emotions, flaws and fears. There’s no great professor to rally around, quite the opposite as the protagonist James gets extremely little support, mostly reprimands, from his physics tutors. And the group as a whole isn’t quite pushed towards murder, but yet their personal tragedies hit me even harder.

Kendall smiled at me apologetically. I watched them go and wondered if he knew what he’d escaped, or if he still pined for the quads and rooms lined with ancient books. We always value things that are hard to get, regardless of their intrinsic worth.

The problem with this type of book is that it’s more a biography of a group of people’s lives than a plot, and so you have a so much better chance of liking it if that’s what you’re into. And also some reviews seem to dislike there being queer characters or how they’re portrayed, as it’s more yearning and dealing with a lot of religious homophobia. It is a dark book in that the characters in it are majorly morally flawed and that shows in their relationships, some turning abusive. James, for instance, is a swamp of a person, struggling with having any identity of his own. It’s fascinating to read the book through his perspective, because his opinion is shown to change as the people around him states theirs. It’s like his whole reality, value system and base of truth shifts, all the time.

This, this was the chance I’d waited for. Here, if I said the right things, I could enfold her into my life, and wrap myself in hers, in the Oxford life I had somehow missed. […] yes, just take me with you wherever you are going, I don’t need my life any more, I will take yours.

But James also has an impressive insight into what’s going on with the friendgroup, only his new girlfriend Jess beats him in that she more often seemingly knows what to do. And as the years passes, James finds his identity, but the daily life things, what he enjoys on his own, seems to still be affected by those around him. Or because of the skewed narrative, you could interpret it as James having a mental illness that shows in the start of university and every barricade of comfort he builds up from that point is to protect him from his own mind and its possibilities. It’s somewhat weird to watch James go from this ambitious physics student facing too much pressure and fall into this group of people of academically good people, yet he and Mark are the only two of them who loses that ambition. It does kind of point to the second alternative.

I did not eat much that weekend, I barely stirred from bed. It was clear to me that this was my natural condition; that without Jess I would return to the state in which she had found me – incapable, bleak, desperate. It was only late on Sunday night, when I heard her key in the door, when I saw her face, that the mood lifted, suddenly, all at once, as though it had never been.

Mark on his side comes into this book and friendgroup with a bunch of problems he already knows of, but has the charisma, the house, (the drugs) and the passion to keep them together. At least in the beginning. There’s a very specific tipping point at the very end of the book, in which he pursues teenagers, that everyone should be at the point where they hate who he had turned into. But there’s a weird slope to that point, in which he might seem narcissistic and manipulating, but he stays what the friendgroup expect, with certain few brighter and kinder moments. He is the cult-like personality they rally around.

I really appreciated the ending, where James and Jess gets to sit down and have a final talk about what went on between them. It differs this book from the similar books I’ve read. Because Jess gives James the final push out of his comfort, into Mark’s arms to take care of him, but didn’t realize the disastrous consequences. And as she’d made every right decision towards their friendgroup until that point, it only fit that she was the one to right her mistake by reminding James of his worth at the end.

Is it accurate to studying physics? Not to the average student. But the average student doesn’t find a rich friend to move into a basically castle with. James describes having been a smart kid who didn’t have to try hard up until this point and now is struggling to create study habits, which is accurate for a certain type of person. The weird competition between students at the beginning that turns into hauling each other over the finish line as the workload increases might be exaggerated, but not unaccurate. The scene where the professor laughed at the idea of doing the next weeks tasks without having done the the past ones, yet won’t give extensions seems a bit too accurate to a certain type of personality. The pre-exam scenes in themselves should come with their own warnings of accuracy as they hit a bit too close to home.

Exciting New Book Releases | Start of 2022

We’re already a month into the year but here we go –

Firmament by Simon Clark

Release date: 27. January 2022

Why I want to read it: The first book by Simon Clark, which is exciting. His explanations of climate change are always great and easy to follow, and I should probably get to reading this soon as motivation before my atmospherical physics and climate change exam this semester :))

This Woven Kingdom by Tahereh Mafi

Release date: 1. February 2022

Why I want to read it: I usually like Tahereh Mafi’s writing and would love a Persian mythology inspired fantasy story from her. So I hope this isn’t just another generic ya fantasy series, despite the title and cover.

Other People’s Clothes by Calla Henkel

Release date: 1. February 2022

Why I want to read it: It’s an unusual pick for me, but I want the promised thriller showcasing the “dangerous intensity of female friendships”, murder and morally gray characters.

Lakelore by Anna-Marie McLemore

Release date: 8. March 2022

Why I want to read it: I don’t have the best track-record with getting as much into McLemore’s books as I would want to, but both the book’s premises, the magical realism and the writing of them are usually amazing. And I can’t keep away from the promises of “two non-binary teens are pulled into a magical world under a lake“ in this book either.

Portrait of a Thief by Grace D. Li

Release date: 5. April 2022

Why I want to read it: a heist novel! Featuring a heist I even deem very acceptable; stealing back pieces of art and people’s belongings displayed in Western museums stolen under war and colonialism. More specifically a group of Chinese American college students (one lesbian, one queer) are stealing back Chinese sculptures and pondering the ethics of it.

Kaikeyi by Vaishnavi Patel

Release date: 26. April 2022

Why I want to read it: The protagonist Kaikeyi “transforms herself from an overlooked princess into a warrior, diplomat, and most favored queen, determined to carve a better world for herself and the women around her”, which sounds like a powerful and interesting story. It’s a Ramayana retelling with an asexual protagonist. I’ve seen some reviews disagreeing to such a prominent villain being retold as anything else, but as someone unfamiliar to Hindu stories that’s hard to assess.

Three Morally-Gray Characters | Short Reviews

Two of three which is queer!

We’re doing a summary post of some books I really liked. They all deserve a full review, but this is what they’re getting.

The Traitor Baru Cormorant by Seth Dickinson (The Masquerade #1)

I genuinely loved the morally-gray (maybe even simply wicked) female protagonist. You are on her side because her island is taken over and controlled under an empire that believes heavily in eugenics, ruthlessly changing the society as they see fit and placing the kids in terrifying boarding schools. And Baru plays the waiting game for revenge for her family which they murdered, as the colonizers clothe her and educate her in what they see fitting. There’s lesbians, an island, politics and so much blood spilled. Definitely a brutal fantasy, but more so in the cultural impact and strategies than the wars of high fantasy. It’s very much debating morality of if ends justify means, as Baru gets to find out how far she is willing to bend and betray to get in a position of power. 4 out of 5 stars because it’s a bit long-winded in its writing.

Gideon the Ninth by Tamsyn Muir (The Locked Tomb #1)

The tagline for this book seems to be lesbian necromancers in space, which would be correct. It’s very much a love it or hate it type of book, because you’re thrown into the plot and have to start paddling to keep up with the characters. It does a great job turning into an unusual fantasy book even though it’s set in a fairly usual setting of deadly competition. The writing and character personalities are fantastic, as well as the well-hidden system behind the magic – not to forget the enemies to lovers (maybe) of the main characters. I want to reread it already. 4 out 5 stars, because it’s confusing in the beginning and you have to commit, even if it’s well worth it and I adore it.

I Am Not a Serial Killer by Dan Wells (John Cleaver #1)

I was definitely looking for morally-gray characters, and this is a fun take on sociopaths (not that that’s what you call it anymore). It’s about a guy who is obsessed with serial killers and how they think, but doesn’t want to let himself become one. It’s also a paranormal story with demons, of which the protagonist suspects his neighbour is one. This guy’s poor mom, trying to help out, but not being able to. 4 out of 5 stars, yet I have not retained so much of it, I have to admit. It was just an interesting read, which was just horror enough.

City of Strife by Claudie Arseneault | Review

Pages: 375

Genre: high fantasy, lgbt

TW for the book (from author): “abuse (physical, emotional, mind control — seriously, if depictions of abuse trigger you, please be very careful when approaching this novel/avoid it.), torture, homelessness, child abandonment, police brutality, racism, family death, memory loss, death by fire (mention) and hanging.”

My thoughts

I went into this book with little expectation or knowledge outside of it being a lesser-known fantasy book with many queer characters. All that was very true! All the characters are queer; bisexual, demi, pan, poly, gender fluid, agender, asexual, aromantic is all represented in an overall ruthless and amazing magical city. It is also a very ethnically diverse group. I just found out the author is the person behind the “Aro ace database” and it’s ownvoices for aro-ace.

The writing caught me from the very beginning;

Arathiel had grown tired—tired of not feeling rough wood under his hand, tired of not smelling the salty sea or earthy autumn air, tired of not tasting even allegedly spicy meals. Tired of being alone, a shadow, always one step removed from the world. One day, he would need to face his family.

I might have a big weakness for main characters who take the time to observe the world around them, is a thief or assassin, but also cares deeply for their friends. Also in general I find that there is way too little focus on platonic love, friends and friends as found-family in fantasy and young adult books (which is what I mainly read when it comes to fiction). And this book truly had all of those things, to the point where the few boring parts where the pacing gets a bit too slow is overshadowed by the good and unique elements for me. This book just gave me a lovely, fun and exciting experience reading it with characters I squeal over, but also feel comforted by. Without sacrificing any of the heavyness or high fantasy elements usual to the genre.

Tonight, however, he had a more mundane activity in mind: a game of cards with the two precious friends he’d managed to make. Way more stressful than sneaking into an inhabited building during the day, locating his target, and slitting his throat before anyone noticed him. Not to mention, Cal wanted to invite a new player today. Worse, he wanted Hasryan to do it.

Fantasy centered in a city and its politics with merchant families and rivalry, it’s just great. It highlights the many tough, quick choices characters have to make, magic making everything more complicated somehow as well. And the plot builds so naturally on the personalities and choices made by these characters and their lives intertwining by living in the same city. It’s not a very extended world-building and I think here’s where the fantasy book would’ve had more potential to build on. There is very many characters to keep track on through multiple POVs, but personally it was okay, even if a bit difficult to understand or relate to all of them just by the sheer amount. It is just a book that tries (and succeeds) to do a lot in under 400 pages. The morally gray aro-ace wizard-in-training Nevian is suffering under an abusive mentor. Arathiel is a mood, as they say, as he’s been gone from the city for 130 years after disappearing while looking for a cure for his ill sister. He’s back to a completely changed city and deciding on whether to claim his right as a noble or keep this anonymous new identity as the keeper of a homeless shelter of sorts. And I loved Cal of course. I’ve highlighted too many quotes of him talking about cheese to not love that character.

Cal climbed into it, then stared at Larryn, his legs dangling. Expecting something. Larryn cleared his throat, hurried to his pantry, and retrieved several types of cheese from it. He had bought so many yesterday, and it would be delusional not to admit guilt had played a big part in it. He had no intention of cooking with this

This will be a book I return to reread and I need to get a physical copy as well. And I’ve yet to read the next book, which I’m excited for! I always need more personality-driven fantasy books with lots of politics in my life, but especially when they have such a queer cast and focus on friendship and found families.

Update Five Stars Predictions (pt. 2) ⭐⭐⭐⭐⭐

Ages ago, nine months to be exact, I made a post of five star book predictions. And the problem with those types of things are that you not only want to read them all, but have time to write reviews, because most of them actually were great.

The Hidden Girl & Other Stories by Ken Liu (my review)

In short I really appreciated and liked this collection of short stories. I had my expectation set high as I like the short story collection The Paper Menagerie and Other Stories by the same author. I don’t think I realized the sci-fi thread through this one, but it was a pleasant surprise. Still, it’s harder to make multiple sci-fi stories I find equally fascinating as shorts, so it became a four out of five star read. Absolutely worth it.

Cemetery Boys by Aiden Thomas

I really would have loved this book as a middle school (or even younger actually) kid. It’s a queer romance between a Latino trans boy and a gay boy, featuring murder mystery and ghosts. And while I loved all those aspects, the plot was predictable for being young adult. I would say it was the age categorization that made my expectations higher and unfair for me to judge, so no star rating here.

Love and Math: The Heart of Hidden Reality by Edward Frenkel

You ever start reading books during off-time and then realize it’s hard to continue once the semester starts, especially if it is too close to whatever you study? I’m still not done with this book, even though I love it. I will say that halfway through, it’s a five star read. I especially loved the discussion on how math education should be changed, and how Frenkel himself got into mathematics.

On Earth We’re Briefly Gorgeous by Ocean Vuong:

This is an emotionally heavy and brilliant book. The writing alone is breath-taking, and made everything come to life in such a way that I needed several breaks while reading it. The book is written as a letter from a son to a mother who cannot read, with a raw honesty. It is centered around his Vietnamese family, living through the war and its consequences, about family, violence and trauma, but also healing, identity and sexuality. The book tries to do much by interweaving storylines through time, and as a consequence it has some slowness and confusion, making it a four out of five star read for me.

I also loved the poetry collection «Night Sky with Exit Wounds» by Vuong. Would absolutely recommend them both.

Lore Olympus by Rachel Smythe (web comic link): this is a on-going web comic, but I’ve binged all the episodes released so far. I really adored the art style, I was unsure of the Hades-Persephone romance because it’s done so much, but it’s very self-aware and certainly cute. I truly liked how much focus it is on Persephone being a young godess trying to be independent, but learning that it’s okay to take support from others, while everyone shitting on her special treatments. Definitely so much personality to these characters, big and small, which is why it’s getting five stars even though I was bored at certain points.

Poetry: mary oliver, addonizio, lambert | Short reviews

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Shame is an ocean I swim across by Mary Lambert: contains very powerful stories by someone who is a musician as well, the writing flows very well. Talks about sexual assault, mental health and fame. Very good phrasing and descriptions of situations I can relate to as well, not that that’s a requirement. The excellence of titles like “It is time to eat something other than pizza and tequila” mixes well with the somber topics. Four out of five stars. Definitely check the trigger warnings.

Tell me by Kim Addonizio: it took me some time to both understand the poet and the work, but it grew on me the second and third time I read it. Each poem is very hit or miss for me in how interesting I find it but overall obvious that Addonizio is a good writer. It’s feministic in how it shows someone moving unrelentless through the world, while not shying away from gritty parts. Just that level of honesty Addonizio brings creates such a depth that I can’t blame her too hard when she finds it lacking in her poetry students. Very little pretentiousness to find here, very much confessional and communicating directly to the reader. Four out of five stars, I think I’ll take a dive into her other work soon.

Why I wake early by Mary Oliver: I continue to find a lot of comfort and beautiful parts in Mary Oliver’s writing, even if this one wasn’t a personal favourite. In general, her poems are all about understanding humans through nature (as in the actual spending time in nature), in various ways. Usually with a bit more variety than here. Fav. poems is “The Arrowhead”; “The Snow Cricket” and “Where Does the Dance Begin, Where Does It End?”. Three our of five stars.

They Never Learn by Layne Fargo | Book Review

Look up trigger warnings! There’s a lot around sexual assault and abuse of power.

Genre: thriller, serial killer, dark academia, lgbt; f/f relationships, queer women, two bisexual female protagonists

Pages: 378

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Synopsis

Scarlett Clark is an exceptional English professor. But she’s even better at getting away with murder.

Every year, she searches for the worst man at Gorman University and plots his well-deserved demise. Thanks to her meticulous planning, she’s avoided drawing attention to herself—but as she’s preparing for her biggest kill yet, the school starts probing into the growing body count on campus. Determined to keep her enemies close, Scarlett insinuates herself into the investigation and charms the woman in charge, Dr. Mina Pierce. Everything’s going according to her master plan… until she loses control with her latest victim, putting her secret life at risk of exposure.

Meanwhile, Gorman student Carly Schiller is just trying to survive her freshman year. Finally free of her emotionally abusive father, all Carly wants is to focus on her studies and fade into the background. Her new roommate has other ideas. Allison Hadley is cool and confident—everything Carly wishes she could be—and the two girls quickly form an intense friendship. So when Allison is sexually assaulted at a party, Carly becomes obsessed with making the attacker pay… and turning her fantasies about revenge into a reality. 

My thoughts

Sometimes I feel the books with a really interesting plot/synopsis that feels targeted at me, is the ones that let me down the most. It’s got a very good goodreads rating too. I just couldn’t get over how much I didn’t like the writing, as in the language used being cringy and constantly taking me out of the story. There’s two f/f queer friendship (both POVs are bisexual women) that turn sexual at certain points, both ending up very different. It’s all very intense and dramatic, yet it fits into the story. And there’s enough twists to the characters and the plotlines that I did enjoy reading it, even if it was built on somewhat one-dimensional characters.

I first blamed it on the fact that writing a serial killer is difficult, and it still could be, but it’s the same problem with the student Carly. Because in many ways she’s supposed to showcase the start of a girl turning cold and ruthless by the experiences and total lack of support in the systems, like being ridiculed by school administration when trying to help her friend after a sexual assault. It was a nice comparison, even if it was laid on a bit thick with even the professor Scarlett pointing out how she saw a young version of herself.

I have to state that there’s nothing wrong with these “unlikable” female main characters that made me dislike the book, as I often prefer them. In general, the author seems to be known for writing those well. I also want to say I whole-heartedly disagree with some other bad reviews claim that all the rapists weren’t equally bad and so on, it’s showcased all the way why the serial killer chooses her victims and the actions they’ve committed. I had to stop reading those reviews quick to not get sick, as they excuse sexual abuse so blatantly. It’s not meant to be feministic in how you should cheer on a serial killer, that’s up to the reader, but in showing how a culture of abuse and sexual assaults can be protected against those who want to report it. And that’s not far-fetched at all in today’s society, even if it shouldn’t have to defend itself as fiction.

Is it dark academia? Absolutely, it’s a look into a professor/murderer’s mind set on an university campus, trying to avoid persecution. The student’s POV even shows how her experiences and obsessiveness with helping her friend and keeping up with writing leads her into a darker path than she could imagine. It definitely showcases the potentially worst sides of an (academic) institution with abuse of power from everyone in charge.